Audie Murray is a multi-disciplinary Métis artist from Saskatchewan currently learning and creating on the unceded territories of the Coast Salish peoples. She completed a visual arts diploma at Camosun College in 2016 and her Bachelor of Fine Arts at the University of Regina in 2017. She studied traditional tattoo practices with the Earth Line Tattoo Collective in the summer of 2017. Working with themes of contemporary Indigenous culture and ideas of connectivity and duality, she believes that the concept and energy of her artworks informs their materiality and form. Audie has shown her works at various events and spaces in Canada including Open Space, the Mackenzie Art Gallery and the Justina M. Barnicke Gallery.
Hi my name is Dion Kaszas I am an Nlaka’pamux ancestral embodied mark maker. I have been tattooing professionally since 2009 and started the revival of Nlaka’pamux skin marking in 2012. I travel to National and International events and tattoo festivals representing Nlaka’pamux and Indigenous skin marking in Canada.
I have been featured in Tattoo Traditions of Native North America: Ancient and Contemporary Expressions of Identity, The World Atlas of Tattoo, and Newspaper articles from the New York Times to the CBC. I am featured in a variety documentary films and TV series. These include Skindigenous, a 3 Season, 13-part documentary series exploring Indigenous tattooing traditions around the world and the FOX series USA Ink.
Gig- K’aajuu G’aaya is a professional tattoo artist who began his journey learning from artist Mark Paroyan. He now has a shop in Daajiing Giids on Haida Gwaii called Haida Inkk. Gig has also been a visiting artist at several high-end shops, surrounded by extremely talented artists – Liquid Amber Tattoo & Art Collective in Vancouver and Divine Ink in Terrace, BC. With the new mentors at these professional shops, Gig continues to elevate and grow as an artist and a person.
Focusing in Haida art and realism, he continues to study and absorb knowledge from Haida/Tlingit mentor Nahaan, and Salish artist Dion Kaszas. Gig was invited to New Zealand by the Maori to attend Wānanga Indigenous, a convention and education event in Taurnaga. This was a magical experience with beautiful, talented artists and people who changed his life as an artist and person, connecting the mind, body and soul. Gig continues to use the machine as well as different techniques of hand poke tattooing from Indigenous cultures.
Holly Mititquq Nordlum is an Iñupiaq (Inuit) artist who grew up in and outside the northern village of Kotzebue, Alaska. Nordlum works in a variety of media, using each to best cast light on indigenous people. Her tattoo work and traditional markings revitalization effort is based on a 10,000-year Inuit history and is a machine-free process that facilitates healing, pride and celebration from the traumas of colonization and individual experience. She organizes trainings, using traditional patterns in in-depth sessions to foster real change for people. In the end, creating community in the marks left behind. Nordlum’s public artwork education about the still-surviving tribes of Alaska: their stories, histories and cultures. Holly speaks publicly about the systems which continue to oppress her people and prevent their thriving.
In 2004 she earned a Bachelor of Fine Art Degree from the University of Alaska, in the last five years she received a Time Warner Fellow with Sundance, an Art Matters grant and a Alaska Humanities Forum grant, an Alaska Native Visionary Award, a Rasmuson Artist Project Grant and an artist Fellowship, NDN Collective Indigenous Artists Grant and was part of Smithsonian’s NMAI’s Artist Leadership Program
Nahaan’s matrilineal lineage is of the Tlingit, his grandfather is Iñupiaq, his biological father of the Paiute and his actual father is of the Kaigani Haida. He focuses exclusively on working within the spirit and design style of the Northwest Coast practices and customs of ceremonial tattooing, wood carving, copper and abalone jewelry, painting and custom designing of regalia and tattoos.
Nahaan emulates the strong visual and oral storytelling that has been handed down from generation to generation, it’s the foundation of his work, way of living and teaching of his cultural traditions. Within the realms of language arts and expression, Nahaan teaches the Tlingit language through traditional songs, dances and free Indigenous only community classes as a service to his community. He is the leader for Tlingit based inter-tribal group Náakw Dancers, a group he started in Seattle, Washington in 2014, in order to perpetuate the rich expressions of the Pacific Northwests Native population.
Nahaan is also a spoken word poet and co-founded “Woosh Kinaadeiyí” poetry slam in Juneau, Alaska in 2010 which has since grown into a thriving and creative mainstay in the capitol city. He focuses on the aspects of community empowerment and self mastery through the methods of dekkkolonization, Indigenization, education and activism. He offers workshop facilitation and keynotes for conferences, schools, and events near and far. Nahaan is based on the ancestral lands of the Dxʷdəwʔabš (Duwamish), Muckleshoot and Suquamish Nations aka Seattle.
Nakkita Trimble has been working on tattoo revival for the Nisga’a Nation since 2013. With a Canada Council grant, she hopes to create 80 House crest tattoos.Trimble, whose Nisga’a name is Speaking Through Art, began practicing tattoo art in 2014 using traditional methods like hand-poking and skin-stitching. She is deeply involved in reviving ceremonial tattooing, which she views as medicine in the face of high suicide rates among Indigenous youth. The designs are maternal and connected back through generations according to a crest system, binding tattoo recipients to their mothers’ ancestors and linking them to creation stories.
Nicole Neidhardt is Diné (Navajo) from Round Rock, Arizona with ancestry of Kiiyaa’áanii clan on her mother’s side and a blend of European ancestry on her father’s side. She grew up in Santa Fe, NM on Tewa territory. She has a Master of Fine Arts degree from OCAD University in Toronto and a Bachelor of Fine Arts and Business minor from the University of Victoria. Her Diné identity is the heart of her artistic practice which encompasses Indigenous Futurisms, Diné Storytelling, and children’s book illustration. She works in a variety of media and contexts such as: mylar stencilling, installation, mural painting and design, illustration, beadwork, hand-poke tattooing, facilitating community-engaged art, and book layout and design. She is the co-founder of the Innovative Young Indigenous Leaders Symposium and Groundswell Climate Collective.